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February 15, 2007

Latest Dance Article

Armitage Gone! Dance for Danceview Times:

Though I didn’t find it compelling, the structure and formality of “Time” kept it watchable; it had the doggedness of a running dream.

The above snippet illustrates what I found hardest about this review: getting the balance right. Armitage knows her craft; but I think there are better works out there than what I saw. It's easy to say that directly in this blog, but that isn't useful in a review; you want to allow the work to be judged on its own. Also, this is the first time I've seen Armitage's work. Dismissing anyone's work in print on the first viewing should only happen in extreme circumstances. Yet, neutrality isn't really neutral in reviewing. My neutral stance, no matter how fair I'd like to be, is a pan. I didn't really like it. Apollinaire Scherr also had mixed feelings, but liked what she saw and slanted it towards a recommendation:

I haven't always been an admirer--in fact, I positively detested her last outing, at the Duke. But everything on the Joyce program is worth seeing--cherishable, even. I didn't love every moment, but I loved the spirit of it: and that's the point--it has a spirit.

The distance between her assessment and mine is actually not that great, but it's a potent reason to know how much your taste overlaps with a given reviewer's.

Another noteworthy article this week was Gia Kourlas' interview with Miranda Weese before she leaves NYCB to go to Seattle and PNB. Kourlas has a gift for features (she did one of me and Chuck Askegard in '99); she managed to ask some very direct questions, kudos to Weese for answering them directly yet with tact and diplomacy.

Posted by Leigh Witchel at February 15, 2007 5:40 PM

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