February 26, 2005
Leigh's Dance Card
NYCB goes on hiatus until April; it's an opportunity to look at what's happening elsewhere.
Paul Taylor's self-produced season at City Center marks their 50th anniversary, and has been extended to three weeks from the usual two of recent years. If my memory is playing tricks on me, it used to be three weeks, and he used to be able to afford an orchestra. He deserves both.
3/2/05 I'm "on duty" for Danceview Times. Go yourself. Taylor has the ability to make both light and dark works, and tends to program a performance to include both.
Dances to look for - Aureole and Arden Court are among his most beautiful and pastoral, Offenbach Overtures for those who want to see Lisa Viola transfer Gilda Radner's "Colleen the Vegetable Child" to the stage. Last Look is one of the most blandly disturbing dances ever made; Piazzolla Caldera one of the sexiest tango works (with barely a tango step in it). Rear mezzanine seats are a bargain at $15.
3/5-6/05 In Philadelphia for La Fille mal Gardée, Ashton's comic masterpiece. If you're in the area, don't be put off by the French title. For the American visits of the Royal Ballet, I think Sol Hurok wanted to title it "The Farmer's Daughter." I'm "on duty" for Ballet Review.
Posted by Leigh Witchel at February 26, 2005 9:19 AM
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