« Beauty, discussed | Main | Current Knitting »

January 23, 2007

Latest Dance Articles

In this week's Danceview Times, Partners and Shadows: New dancers in the Stravinsky ballets

If we’ve lost Peter Boal to Seattle, we haven’t lost his shadows. Sean Suozzi, Tyler Angle and Adrian Danchig-Waring were all taught by Boal at SAB. Suozzi, who has also worked with Boal in Boal’s own chamber ensemble, went into his teacher’s role in the first pas de trois [in "Agon"]. Suozzi’s attack is more violent than Boal’s; it brought to mind Edward Villella, an earlier proponent of role. Suozzi’s performance was syncopated and forceful but with depth and intelligence, relishing the soft-shoe flavor of the combinations. He still pushes too hard, but maybe in a few performances he’ll stop trying to show us that he gets it. Angle looked well-paired with Danchig-Waring, two finely-bred young attendants in the second pas de trois with Teresa Reichlen. Reichlin was daring and aerial: long and sharp, but flickering as a flame. Angle is the one who looks as if he may be the replacement for Peter Boal in five years. He has the talent, presence and elegance; the main difference is that Angle is less reticent, and — here lies the danger — less modest.

Not in print, but in the current (February/March, 2007) issue of Pointe Magazine, Talkin’ ’Bout My Generation: Young Choreographers At Covent Garden

The founder of England’s Royal Ballet, Ninette de Valois, had her recipe for a balanced repertoire. It included classics, contemporary works and novelties, all in proportion. The company’s current director, Monica Mason, has spent her tenure getting the classics back in order. It was time to tackle the other ingredients in de Valois’s stew by presenting two new works by young English choreographers, along with a Balanchine masterpiece, in November, at the Royal Opera House at Covent Garden.

Though the program notes spout grandly about neuroscience and “freedom space,” Wayne McGregor’s work can have the depth of a music video. However, his new piece for 10 dancers, Chroma, would have de Valois checking “topical novelty” off her list in approval. Shortly after this performance, Mason announced McGregor’s appointment as resident choreographer—not the proportion de Valois imagined.

Posted by Leigh Witchel at January 23, 2007 10:52 PM

Trackback Pings

TrackBack URL for this entry:
http://www.leighwitchel.com/cgi-bin/mt-tb.cgi/606

Comments

Totally off-topic, but I saw your extremely well written review in the new Pointe Magazine yesterday!

Posted by: Ariel at January 25, 2007 7:55 AM

Post a comment




Remember Me?

(you may use HTML tags for style)